{"id":450,"date":"2019-10-07T13:35:07","date_gmt":"2019-10-07T11:35:07","guid":{"rendered":"https:\/\/www.theatreinenglish.ch\/GEDSBLOG\/?p=450"},"modified":"2019-10-07T14:24:49","modified_gmt":"2019-10-07T12:24:49","slug":"geds-and-international-drama-festivals-2019","status":"publish","type":"post","link":"https:\/\/www.geds.ch\/GEDSBLOG\/2019\/10\/07\/geds-and-international-drama-festivals-2019\/","title":{"rendered":"GEDS and International Drama Festivals 2019 by Tim Hancox"},"content":{"rendered":"<div id=\"pl-450\"  class=\"panel-layout\" ><div id=\"pg-450-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-450-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-450-0-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"0\" >\t\t\t<div class=\"textwidget\"><p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-471\" src=\"https:\/\/www.theatreinenglish.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/IMG_90791-300x196.jpg\" alt=\"\" width=\"283\" height=\"185\" srcset=\"https:\/\/www.geds.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/IMG_90791-300x196.jpg 300w, https:\/\/www.geds.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/IMG_90791-480x313.jpg 480w, https:\/\/www.geds.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/IMG_90791.jpg 700w\" sizes=\"(max-width: 283px) 100vw, 283px\" \/><\/p>\n<p>GEDS can pardonably claim to have the best current amateur one-acter play in Europe for the 2019 season. How&#8217;s that? Well, we came second in FEATS (Festival of European Anglophone Theatrical Societies) in Munich in June, were offered and accepted a resulting invitation to BAWF (British All Winners Festival) for July and won that. Overall, we collected five trophies:<\/p>\n<p><strong>British All Winners Festival, Woking, England July 2019<\/strong><\/p>\n<p>Best Play Award one-act play festival<br \/>\nBest Comedy Moment as the family saw the transformation of Gregor as the Bug<\/p>\n<p><strong>Festival of European Anglophone Theatrical Societies (FEATS), Munich 2019<\/strong><\/p>\n<p>Centennial Award for 2nd Place<br \/>\nBest Actor Award, Gabriel Bird for his role as Gregor<br \/>\nBest Actress Award, Masha Neznansky for her role as Momma<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-458\" src=\"https:\/\/www.theatreinenglish.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/DSC_0830-300x179.jpg\" alt=\"\" width=\"300\" height=\"179\" \/><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n\t\t<\/div><\/div><div id=\"pgc-450-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-450-0-1-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"1\" >\t\t\t<div class=\"textwidget\"><p>GEDS&#8217; offering was our own member Gary Bird&#8217;s <em>Metamorphosis or Letting Nature Take its Course<\/em>, adapted for the stage from Franz Kafka&#8217;s novel of the same name, and which turned itself into a fast-paced farce: Gary admits to being a little surprised himself. Directed by himself and then by Berta Adell when it became necessary that he take an acting part, it entertained audiences in Geneva (original launch in May as part of a charity evening at Le Man\u00e8ge, Onex), Munich and Woking, thanks to skilled ensemble work by the whole team including backstage, the patient truckies who trundled the set (hard-worked and gently disintegrating!) across Europe, and some excellent logistical planning overall. On our last evening and awards in Woking, BAWF&#8217;s surely beneficial permanent Patron Sir Derek Jacobi gave an excellent speech before awarding the prizes (allocated, nevertheless, by an independent \u2013 and as always extremely well informed and competent \u2013 Adjudicator, Jill Colby).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-461\" src=\"https:\/\/www.theatreinenglish.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/Woking-4-300x206.jpg\" alt=\"\" width=\"300\" height=\"206\" srcset=\"https:\/\/www.geds.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/Woking-4-300x206.jpg 300w, https:\/\/www.geds.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/Woking-4-768x527.jpg 768w, https:\/\/www.geds.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/Woking-4-716x492.jpg 716w, https:\/\/www.geds.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/Woking-4-480x330.jpg 480w, https:\/\/www.geds.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/Woking-4.jpg 884w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-462\" src=\"https:\/\/www.theatreinenglish.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/Square-Woking-300x265.jpg\" alt=\"\" width=\"300\" height=\"265\" srcset=\"https:\/\/www.geds.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/Square-Woking-300x265.jpg 300w, https:\/\/www.geds.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/Square-Woking-480x424.jpg 480w, https:\/\/www.geds.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/Square-Woking.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<\/div>\n\t\t<\/div><\/div><div id=\"pgc-450-0-2\"  class=\"panel-grid-cell\" ><div id=\"panel-450-0-2-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"2\" >\t\t\t<div class=\"textwidget\"><p>The storyline? Somewhat improbably (but quite famously now, thanks to Kafka) Gregor Samsa wakes up one morning (late for work as an insurance salesman) and discovers he has transmogrified into a giant bug, the joke being that he does not realise this, despite his claws being unable to get his pants up, whereas his family, boss, everyone else, is horrified, with reactions varying between wanting to kill &#8220;it&#8221;, make a fortune (Poppa Samsa) by putting a singing\/dancing bug live on stage or turn &#8220;it&#8221; back into a human with the help of the local lady-of-leisure. Gregor speaks &#8220;bug&#8221; which no-one else except the summoned &#8220;bug doctor&#8221; can understand but we get both sides of the conversations. All this and with an evil Narrator thinking he is masterminding developments; it all ends &#8220;happily ever after&#8221; with the resuscitated Gregor deciding to become an accountant instead.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-459\" src=\"https:\/\/www.theatreinenglish.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/DSC_0872-300x233.jpg\" alt=\"\" width=\"300\" height=\"233\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-452\" src=\"https:\/\/www.theatreinenglish.ch\/GEDSBLOG\/wp-content\/uploads\/2019\/10\/DSC_0609-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>&nbsp; GEDS can pardonably claim to have the best current amateur one-acter play in Europe for the 2019 season. How&#8217;s that? Well, we came second in FEATS (Festival of European Anglophone Theatrical Societies) in Munich <a class=\"more-link\" href=\"https:\/\/www.geds.ch\/GEDSBLOG\/2019\/10\/07\/geds-and-international-drama-festivals-2019\/\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":462,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorised"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.geds.ch\/GEDSBLOG\/wp-json\/wp\/v2\/posts\/450"}],"collection":[{"href":"https:\/\/www.geds.ch\/GEDSBLOG\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.geds.ch\/GEDSBLOG\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.geds.ch\/GEDSBLOG\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.geds.ch\/GEDSBLOG\/wp-json\/wp\/v2\/comments?post=450"}],"version-history":[{"count":11,"href":"https:\/\/www.geds.ch\/GEDSBLOG\/wp-json\/wp\/v2\/posts\/450\/revisions"}],"predecessor-version":[{"id":475,"href":"https:\/\/www.geds.ch\/GEDSBLOG\/wp-json\/wp\/v2\/posts\/450\/revisions\/475"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.geds.ch\/GEDSBLOG\/wp-json\/wp\/v2\/media\/462"}],"wp:attachment":[{"href":"https:\/\/www.geds.ch\/GEDSBLOG\/wp-json\/wp\/v2\/media?parent=450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.geds.ch\/GEDSBLOG\/wp-json\/wp\/v2\/categories?post=450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.geds.ch\/GEDSBLOG\/wp-json\/wp\/v2\/tags?post=450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}